I spent the last three days of 2010 in front of the camera McNair Evans , drawing, painting, paper cutting, talking and doing whatever Mcnair asked me to do, including starmene property in a garden for two hours while around me the snow was colored in red-blood with a mixture of syrup and dye fabrics.
It was an intense experience. Much more than just the interview that I expected. McNair gave his interpretation of my work with surreal sequences filmed in stop-motion. The material I have seen is incredible. I look forward to the film is finished. Thanks again to
McNair Evans and Ruth Ingram for their tireless work, and The Black Harbor.
Here are a couple of shots directly from the chamber McNair:
Ruth McNair and I at the end of the second day of shooting.
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